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JOHN VAN ALSTINE SCULPTURE
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Bones of the Earth, Spirit of the Land (1999)
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JOHN VAN ALSTINE SCULPTURE
Small Sculptures
Medium Sculptures
Large Sculptures
Sculptures
Drawings
Easel Photographs (1977-81)
Exhibitions
Public Commissions
Special Events & Proposals
American Monuments: Finding New Dimensions (2025)
American Vistas: The Life and Art of John Van Alstine (2022)
John Van Alstine: Sculpture 1971–2018 (2019)
Bones of the Earth, Spirit of the Land (1999)
The Grounds
The Gallery (Indoor)
The Fireplace Project
Studio C
History
Visit & Map
Bio
Press
Bibliography
Contact
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Easel Photographs (1977-81)
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Public Commissions
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American Monuments: Finding New Dimensions (2025)
American Vistas: The Life and Art of John Van Alstine (2022)
John Van Alstine: Sculpture 1971–2018 (2019)
Bones of the Earth, Spirit of the Land (1999)
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The Gallery (Indoor)
The Fireplace Project
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Link I (S-91-08)

$0.00
sold out

March 1991. Granite, steel. Dimensions: 79 × 29 × 36 in (201 × 74 × 91 cm). Private collection Baltimore.

Link I, 1991

Link I continues my interest in combining rough, found stone with industrial metal, using the steel to physically and visually unite otherwise separate elements. The central connector was salvaged from a marine salvage yard near my Jersey City studio, part of an industrial waterfront landscape that became an important source of materials and imagery in my work.

The steel element is a pelican clip, named for the beak-like form of its clasp and originally used to connect large sections of marine chain. Its former function gives the sculpture an additional layer of meaning: an object whose previous “life” was literally about connecting and linking becomes the physical and conceptual link holding the sculpture together.

March 1991. Granite, steel. Dimensions: 79 × 29 × 36 in (201 × 74 × 91 cm). Private collection Baltimore.

Link I, 1991

Link I continues my interest in combining rough, found stone with industrial metal, using the steel to physically and visually unite otherwise separate elements. The central connector was salvaged from a marine salvage yard near my Jersey City studio, part of an industrial waterfront landscape that became an important source of materials and imagery in my work.

The steel element is a pelican clip, named for the beak-like form of its clasp and originally used to connect large sections of marine chain. Its former function gives the sculpture an additional layer of meaning: an object whose previous “life” was literally about connecting and linking becomes the physical and conceptual link holding the sculpture together.

john@johnvanalstine.com
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