Sculptor — Stone & Metal - b. 1952, New York

John Van
Alstine

Wells, Adirondack Mountains, New York

© Jim McLaughlin

Artist Statement

The marriage of
natural & human-made

The union of stone and metal, recently rough-hewn New York slate and found object steel, are central in my sculpture. On its most basic level the work is about the marriage of the natural with the human-made.

Stone is used as an assemblage element, the way a welder uses steel, rather than in the traditional manner of subtraction. In contrast to the timelessness of stone, the found-object steel is very time specific — 20th century industrial. The industrial/structural characteristics inherent in the metal are often employed in the work and used to physically connect or suspend stone elements. The strength of the metal allows for a "choreographing" or "floating" of typically earthbound stone.

The ongoing Sisyphean Circle Series, begun in 2005, is an attempt to draw parallels between the Greek mythological character and the plight of the artist. As we all know, Sisyphus was forced to roll a large stone up a steep hill, only to have it tumble back after reaching the top. A toil that lasts all eternity is an applicable metaphor for the creative process — especially for a stone sculptor on both a physical and symbolic level. I am constantly pushing stone around the studio striving to reach a creative "peak" and once there, start over on the next piece. The process is never ending.

Albert Camus, the French existentialist, in his essay The Myth of Sisyphus used this myth to illustrate his notion that reaching one's final destination is not of utmost importance. In fact if one "reconsiders Sisyphus" as Camus suggests, the struggle or journey reveals itself as ultimately the most meaningful — an idea that I and many others believe is central to the creative process.

"His prolific and consistently engaging output has earned the artist a reputation as one of America's most important sculptors of the late 20th and 21st century."

— Nick Capasso, Curator, DeCordova Museum, Boston

Biography

Born upstate New York in 1952, John Van Alstine grew up in the southern Adirondack Mountains. After attending St. Lawrence University, Kent State University (BFA 1974) and Cornell University (MFA 1976) he joined the faculty at the University of Wyoming, Laramie, and later the University of Maryland, College Park, to teach drawing and sculpture. In 1986 he left teaching and moved to the NYC area to pursue studio work full time. In 1987 he purchased a 19th century industrial complex on the banks of the Sacandaga River and returned to the Adirondacks where he now lives and works in the restored historic structure.

Over the course of a still-active 55-year career, Van Alstine's work has been exhibited extensively throughout the United States and internationally in Europe and Asia, including more than 45 solo exhibitions. He has completed eighteen major large-scale, site-specific outdoor commissions in the United States and China. A trilogy of recently published hardcover books chronicles his career and artistic accomplishments. His work is represented in numerous private, public, and corporate collections across the United States, Europe, and Asia.

Education

MFA, 1976
Cornell University, Ithaca, NY
Graduate Fellowship in Sculpture
BFA cum laude, 1974
Kent State University, Kent, OH
Sculpture, Ceramics & Glass
1970–72
St. Lawrence University, Canton, NY

Academic Positions

1980–1986
University of Maryland, College Park
Assistant Professor of Art
1976–1980
University of Wyoming, Laramie
Assistant Professor of Art
1974–1976
Cornell University, Ithaca, NY
Teaching Assistant

Recognition

Awards & Fellowships (selected)

  • 2023Distinguished Alumni Award — Kent State University
  • 2022Bronze Award — Liu Kaiqu Award, Wuhu, China
  • 2008Merit Award — Olympic Park Sculpture Competition, Beijing
  • 2005Gottlieb Foundation Individual Artist Grant
  • 2002Pollock-Krasner Foundation Grant
  • 1996Resident Fellowship, Casting Institute, Art Department, SUNY Buffalo (Amherst), NY
  • 1986NEA — Individual Artist Fellowship in Sculpture
  • 1985Yaddo Fellowship, Saratoga Springs, NY
  • 1980Louis C. Tiffany Foundation Fellowship
  • 1978Rome Prize Fellowship — finalist
  • 1976Cornell Graduate Fellowship in Sculpture

Holdings

Public Collections (selected)

  • Albany Institute of History and Art Albany, NY
  • American University Museum of Art Katzen Center, Bethesda, MD
  • Bioethics Institute Johns Hopkins University, Baltimore, MD
  • Baltimore Museum of ArtBaltimore, MD
  • Blanton Museum of Art University of Texas, Austin
  • Carnegie Institute of Art Pittsburgh, PA
  • City of BeijingChina, 2008 Olympic Park Exhibition Collection
  • Chautauqua Institute Fowler-Kellogg Art Center, Chautauqua, NY
  • Corcoran Gallery of Art Washington, DC
  • Dallas Museum of ArtDallas, TX
  • Dayton Art InstituteDayton, OH
  • Delaware Museum of ArtWilmington, DE
  • Denver Art MuseumDenver, CO
  • Federal Reserve Board Washington, DC
  • Grounds for Sculpture Hamilton, NJ
  • Hirshhorn Museum & Sculpture Garden Smithsonian Institution, Washington, DC
  • Herbert F Johnson Museum Cornell University, Ithaca, NY
  • Museum of Fine Arts Houston, TX
  • Smithsonian American Art Museum Washington, DC
  • Newark Museum of Art Newark, NJ
  • Museum of Modern Art Gulbenkian Foundation, Lisbon, Portugal
  • Phoenix Art MuseumPhoenix, AZ
  • Princeton University Art Museum
  • Ringling Museum of Art Sarasota, FL
  • The Adirondack Museum Blue Mountain Lake, NY
  • The Hyde Collection Glens Falls, NY
  • The Phillips Collection Washington, DC
  • Tsinghua University Museum Beijing, China
  • U.S. State Department — Art in Embassies Bolivia, Chile, Jamaica, Nepal, Morocco